#I'm a weak weak human being what can I say

[stylezxsilvermoon]

YES YES YES, this, being empathetic can be taught, i think its really a innate human want, but i believe it HAS to come from inside, that you truly want to be good, look inward on yourself, be introspective, and yes sometimes you'll slip up and say something mean, being a nice person does not mean being pure, nice people can be assholes from time to time, but they take those times and learn from them. that's what being human is, care about other people because we're all we've got. get introspective about it, get self-healing about it, god, it's gonna be hard but you're gonna feel good after, i'm gen z and the last few months i've REALLY been trying to be introspective and looking inward and self-healing and WHO KNEW it makes you feel good. it makes other people feel good, be good and people will notice the difference. weakness is a strong thing, acknowledging you'll never be perfect or pure (or society for that matter) heals you, vulnerability is a strength in the face of trying to be tough. vulnerability is power.

things we need to address:

gen z men getting pulled into alt-right pipelines through andrew tate, joe rogan, elon musk, jordan peterson etc

the gullibility and stupidity of half the country voting against our collective best interests

the broad effect social media has on public and common good

lazy minds and lack of empathy

outside-country interference (trump and elon’s connections to russia and the amount of bots from other countries spreading misinformation)

the long-term effects of AI and rampant disinformation

[literaryvein-reblogs]

How do I write mean insults that's in character for a character to say? I'm personally poor at coming up with insults that don't sound generic or would actually cut deep, being mean in general. I want to write a snarky character with a dry sense of humour when it calls for it but don't know how to go about it.

He's also recovering from a superiority and inferiority complex.

As the writer, you know your character best, and what insults would make sense for them to say (also considering the bigger context of the scene). So, I'll just provide you with a compilation of prompts and notes from different sources, and you can choose which ones are most appropriate to incorporate in your story.

Writing Notes: Insults & Dry Humor

A List of "Sophisticated" Insults

Craven - having or showing a complete lack of courage; very cowardly

Fatuous - silly or stupid; complacently or inanely foolish. From Latin infatuate, which once meant "to make foolish," but which now usually means "to inspire with foolish love or admiration."

Insipid - not interesting or exciting; dull or boring

Obstreperous - difficult to control and often noisy

Obtuse - stupid or unintelligent; not able to think clearly or to understand what is obvious or simple

Pusillanimous - weak and afraid of danger. It's been used by such notables as Ralph Waldo Emerson ("It is a pusillanimous desertion of our work to gaze after our neighbours"), and the disgraced Vice-President Spiro Agnew, who called journalists "pusillanimous pussyfooters."

Sanctimonious - pretending to be morally better than other people. It once meant "possessing sanctity; holy, sacred." The genuinely holy aspect faded, and William Shakespeare is credited with first using sanctimonious to mean "hypocritically pious or devout."

Twee - sweet or cute in a way that is silly or sentimental. Just as buddy is believed to be a baby talk alteration of "brother", twee is a baby talk alteration of "sweet". Although twee is still considered a chiefly British term, it's increasingly popular in American English.

Unctuous - revealing or marked by a smug, ingratiating, and false earnestness or spirituality. Unction can mean "anointment" or it can name something used to anoint, such as a soothing or lubricating oil. That idea of oiliness led to unctuous, which can describe the slickness of false sincerity.

Vacuous - having or showing a lack of intelligence or serious thought; lacking meaning, importance, or substance

The insult would also depend on which other character it is directed at. Here is a list of "funny" insults for adults from Reader's Digest:

My days of not taking you seriously have come to a middle.

You are the human equivalent of a participation trophy.

If you were a spice, you’d be flour.

You may have a sparsely attended funeral.

I smell something burning. Are you trying to think again?

You’re like a lighthouse in a desert: bright but not very useful.

Don’t worry—the first 30 years of childhood are always the hardest.

May your life be as pleasant as you are.

You’re as useless as the “ueue” in “queue.”

Your face is just fine. It’s your personality that’s the issue.

...and for your character's significant other:

I like you. People say I have no taste, but I like you.

You continue to meet my expectations.

I’ll never forget the first time we met. But I’ll keep trying.

If genius skips a generation, our kids will be brilliant.

We were happily married for a month. Too bad it’s our 10-year anniversary.

I admire the way you try so hard.

You’re entitled to your incorrect opinion.

Have you tried doing it the way I told you to the first time?

The best part of watching a show with you is when you fall asleep because then I can watch my show.

Don’t call me crazy—you’re the one who married me!

You can always alter these to better suit your character. You can read the full list here, which also includes some insults for kids, best friends, and family.

Tips for Better Humor Writing

Humor writing isn’t all about landing a good joke (except for when it is). In creative writing, the effect is usually a bit more nuanced. Here’s a few writing techniques to get you started:

Subvert expectations. Try to undermine the audience’s expectations or reform them with structural elements.

Save the best for last. Humor is often a release of tension, so the sentence builds that tension, and the pay-off—the punchline—happens most naturally at the end. This is also sometimes referred to as the “rule of three,” where two thoughts act as a build-up to the final humorous closer.

Use contrast. Are your characters in a terrifying situation? Add something light, like a man obsessing about his briefcase instead of the T-Rex looming behind him.

Use good wordplay. Sometimes words themselves are funny, and just as often, their placement in a sentence can make a difference. Some words are just funnier than others, so make a list of those that amuse you the most.

Take advantage of cliché. While clichés are something most writers try to avoid, it’s important to recognize them,so you can use them to your advantage. Humor relies in part on twisting a cliché—transforming or undermining it. You do this by setting up an expectation based on the cliché and then providing a surprise outcome. In humor writing, this process is called reforming.

Use humor as a counterbalance. If you just pile on one terrible thing after another, it starts to become ridiculous, and people won’t buy it. Using humor is a great way to achieve the proper balance between fantasy and real life. Remember, if a roller coaster only did twists and turns the whole time, it wouldn’t be as fun to ride.

Level of Intensity

There are people who shrug off an insult (“That’s just the way she is”) and people who commit murder over an insult (“I’m avenging my honor!”). Plus, of course, everything in between. Which is your character?

To be believable, consider the following:

Personality. How hard does your character take events in general? Does s/he get really excited over good fortune and really depressed over setbacks? Then we’ll find it believable that s/he gets really angry and reacts accordingly.

The second cause of an intense reaction is the nature of the specific fight that you’re creating on the page. Lily Owens lets most of her father’s insults go by (“the art of survival”). But when he starts in about her mother, the topic is too important to Lily to gloss over. Lily’s reaction is intense. She runs away. Another type of character might merely have seethed silently. Still another might have fought T. Ray more intensively, setting fire to the house with him inside.

Finally, the strength of fights is culturally determined. Where public or even private scenes are disapproved of (upper-class London, old-money Boston, “well-behaved” families), arguments may be muted, even when the subject matters a great deal. In other cultures, volatility is not frowned on, and people may feel free to scream at each other in public. In extreme cases, murder may even be considered a duty, as in avenging a sister’s sexual assault.

Where is your story taking place? Are your arguers in tune with local or family culture? Maybe not. You can create interesting effects by portraying the rebels against the local mores: the meek child born into a battling family, the furious feminist in polite 19th-century English society.

On Dry Humor

Dry humor - is all about the subtle irony of the facts being stated plainly; it is the contrast between sentiment and reality that makes the situation funny.

The technique is known for its simple, often matter-of-fact declarations that will make the audience laugh or be perplexed (humor is subjective, after all).

With dry humor, delivery and intention create a sort of comedic cognitive dissonance or contrast. Sometimes it is as simple as using a bit of sarcasm, but it can also be more than that.

Dry humor lives and dies on the back of doing less.

Less facial expressions, less props, less setup—less is often more when it comes to landing the joke. You aren’t using a big, dramatic setup or a grandiose vocabulary to make your point.

Essentially, these jokes are derived from saying the opposite of what is meant or delivering them in a way that purposefully counteracts the supposed meaning of what is being said.

Dry Humor in Writing

The function of dry humor has often been to highlight the absurd.

It is effectively executed in moments where satirization of the circumstances at play require little more than noting the facts aloud.

When writing this sort of humor, quick, cutting accuracy is key to making the jokes land.

Simplicity is king, and an honest statement of the facts will always lead the way to finding the funny.

Sources: 1 2 3 4 5 ⚜ More: References ⚜ Humour ⚜ Laughter & Humour

Hope this helps with your writing!

[paristhin23]

what's really addictive about ana

yesterday i had a realization: at first i thought that i developed an ed to achieve the perfect body, to be more beautiful and feminime, and that's true, but i think that what makes really ana so addictive to me are the emotions.

Life sometimes can be so boring, but since i relapsed i had such incredible highs and miserable lows that make everyday feel like a rollercoaster. When i see the scale drop, even just a number, i can feel my heart beating and i feel pure joy, i'm excited and i feel invincible. But when i gain weight i can feel like the most miserable human in the planet. When people tell me i look good in my new body i feel good, proud of myself, but when i binge i totally lose control and i feel like a walking shit. Being able to walk4+ hours in a day gives me the confidence to think that my body is in invincible machine, but when after 20+ hrs of fast i start to feel weak and dizzy, it feels like i'm dancing with death and i don't know if i'm going to win.

Don't know if it's bad or good, but i can say that my emotions are alive, and in some way ana gives so many colors to my life, some are shiny and beautiful, some are dark and disgusting.

[steppingonyourshadow]

Complete translations of song concept blurbs for Xiao Zhan's album Wo Men

These are provided by Xiao Zhan Studio with each track and sourced from QQ Music.

We (track 2)

With the continued development of civilised society, we keep advancing as a species. Everyone appears to live within constraints of common morality, following the herd, hoping they're upholding kindness, trying to live a life of virtue. But no matter what stage we're at, no one can avoid personally experiencing every facet of humanity. How can we maintain a strong and stubborn passion for life and become an invincible "good person"?

All Alike (track 3)

Life is like a street path on which we are all tourists, passing each other by in a rush. Most of life's troubles, perhaps our past anxiety, loneliness, lack of direction, every person paralysed for a moment by indecision, all the difficulty and happiness, it's "all alike". Once we're able to take it all in, we still have to keep going, having explored and reflected on all our possibilities. A quick pause doesn't mean we stop moving forward.

Recover (track 4)

We often put on an immaculate shell, armour ourselves and hide our weak spots. Those masks all cover the marks of being knocked around and honed into shape. Those who are trapped by the past hide their scars and become used to saying one thing and thinking another. Face our true inner feelings, don't run from them, learn to accept ourselves. Return "me" to me, to become a better "me".

Firefly (track 5)

The faint glimmer of a firefly at night might be weak, but it's still a reliable source of light, just like the mass of humanity. Through every lit-up screen, these "fireflies" with their faint glow gather strength and emerge into public view, lighting up their own world. Interacting with the world, providing balance to my pride, knowledge when I'm unaware, encouragement when I'm at a loss.

The song makes use of elements such as pedal, the sound of breathing, strings, and piano with a strong "woody" undertone, evoking flickers of embers from burning firewood. Just like the meaning it wishes to express - even the faintest bioluminescence can illuminate the dark and become an indispensable light.

Drifting (track 6)

After experiencing an unknown past, "I" woke in unfamiliar surroundings, marvelous and strange. My wandering journey began here. A stranger in a strange land, should I fear being infiltrated in return or bravely venture forth? In the unknown, there are wonders, dangers, eye-opening sights. It's dazzling, beautiful, tempting, but how do I keep myself from being swallowed up by it and becoming a puppet? By remembering where I came from, and doing my utmost to reach the destination I wish to reach. At the intersection where it's difficult to tell dreamscape from reality, how do I keep from following the herd?

Lighthouse (track 7)

Alone in the middle of the ocean, the lighthouse, the only beacon among the crashing waves, reminds us that on life's path there will always be ups and downs. As a small ship venturing forward, we never know when we might encounter stormy weather. Go into the headwind, unafraid of the wind and the rain, with only the lighthouse in your heart to provide illumination and point the way to our destination.

The swirl of the guitar in the song's arrangement is like the sea, never ceasing, the piano is the glow of the lighthouse in the middle of the ocean, and the vocal is the ship. Whether we're faced with glorious sunlight or a sudden downpour, wishing for us the courage to keep pushing forward.

Soliloquy of the Night Time Wanderer (track 8)

After a busy day of work, do you ever feel lonely while making your own way home? Having moved our social lives online, swiping from one small screen to the next, refreshing and clicking like endlessly, consuming bite-sized content, experiencing a little buzz of companionship through your fingertips. All those lit up screens brighten up our nighttime life in the city. When we rely on the simulated communication of online life, it's as if we're stepping into a wider world. Sometimes walking at night isn't a choice. Perhaps feelings that cannot be hidden like fear and cowardice surround and trap everyone who have no choice but to walk through the night. When the seductive bustle of the night cools and dissipates and the world goes quiet, wishing that every night-time wanderer can find a place to lay their emotional burdens to rest.

Return to Zero (track 9)

Both the wind howling past and the fog gathering on your brow and obscuring your vision are unique encounters on your journey. Looking back, those previously obscured traces gradually appear and become clearer. The song's arrangement creates a quiet but warm atmosphere, the chilly synth paired with strings push the listener toward a time travelling wormhole, returning it all to the beginning, back to the very start. Would you still be as staunch? The path here through glory, obstacles and rejection, all those things make up the you of today. You can look forward to the future, wave goodbye to the past freely. Wishing for you always the courage to return to zero and start from the beginning.

Don't Look Back (track 10)

This song is "my" personal narrative, but it's not only mine. "Don't Look Back" is addressed to me and for every listener. The path ahead might feature aspirations, companionship, bright eyes watching. Carefully, we attempt battle with the world, with highs and lows, scrapes and bruises, unavoidable hesitation and disappointment. But please don't look back, if you move forward, you can scale mountains, cross oceans and see endless beautiful scenery, or pause to enjoy the spice of life. Having arrived here, wherever you go in the future, you will have all your accumulated experiences to call on.

The song's arrangement wants to express through its layered progression the narrator's immovable core. What's ahead may not be an open plain, but it will be an endless path. Just go forward, don't look back.

Good Night (track 11)

On a sleepless night, go out for a midnight snack with company, have some noodles and a bowl of soup. Through the wafting steam, listen quietly to your companion make excited or chill small talk. In this concrete jungle of a city, solitude is our default state, and the ability to process our own sorrows and joys a hard-earned freedom.

As the end point of all the disparate emotions that make up the record, the seemingly melancholy backdrop is filled in with warmth and caring, and understanding of the way humans relate to each other. Learning, growing, hurrying through life for decades on end, no matter what we're after, wishing that on the path forward you have food that suits your palate, warm greetings, and precious understanding and companionship to fill the gaps in each of our hearts. After a busy day, wish yourself and the family or friends by your side a good night.

[consistantly-changing]

[Image descriptions in order: a photo of a sign in a school, which says "don't be a target: Bullies pick on people that they think are weak and quiet. Look the bully in the eye, use a strong voice and tell them you don't like what they are doing and to stop. Then walk away. Next time, the bully may choose somebody else to pick on."

On the sign, there is a simple drawing of a boy in a red shirt with a white number one in the centre, holding his pointer finger up. In front of the boy there is a "no" symbol, followed by the text "to bullying".]

[A Facebook post by Sophie Labelle, which says:

(capitalized) hoo boy. (End capitalization)

I know I should just toss this overstuffed suitcase straight into the nearest dumpster fire, but it'll be much more satisfying to unpack each item and throw it into roaring flames one by one.

That's a very long-winded way of saying "We're a bunch of social darwinists who don't want to do our jobs."

Does whoever created this monstrosity even know the definition of bullying? The bullies know you don't like what they're doing, that's why they're doing it, you dipshits.

The first rule of Survivor Club is that you never fucking turn your back to your abuser. The corollary to the first rule of Survivor Club is that you ESPECIALLY don't fucking turn your back to your abuser right after confronting them. It must be nice to be sheltered enough that you reached adulthood (and then some) without having to learn this.]

[There's a reason that bullies are gonna make life hell for the gender-ambiguous black kid who doesn't make eye contact, and there's a reason why said kid is likely to go quiet. It's because both parties know that school authorities won't lift a finger for an autistic kid, a child of color, or a gender nonconforming kid, let alone someone who's all three. They also know that the minute the victim stands up to their bullies in a way that actually fucking works well enough to get them to back down and go hide behind an adult, that adult will go into Zero Tolerance Mode and punish (only) the victim for being "just as bad."

This poster just feeds into the problem by presenting bullying as an inevitable part of education rather than a choice that humans of all ages can just not make or condone, tacitly or otherwise.

I get the impression that none of the alleged educators at this school ever actually read Lord of the Flies, because if they had, they'd know it was pretty clearly not supposed to be aspirational.]

[And let's not forget

7. If they were gonna give the reader a big "fuck you," they could've at least drawn the right finger.]

[A screenshot of the comments, which say:

Courtney McIntyre: I'm sorry "next time, the bully may choose somebody else to pick on" WHAT? Because THAT'S the correct outcome???

Garnet Shredder: Was just coming here to say this, should've included that on the list too haha

Joe Ricciardelli: No way to stop bullies so we won't try. Good luck kids, try to pass them off to another target.😁👍]

[einaudis]

I'm finally watching 2x07 and, remember when Mackie went all: "Sebastian Stan! Man, you're looking good! (...)"?, well that's me when Lestat showed up. I'm not even ashamed to admit it.

[sysig]

maybe you should doodle however many or few starcon/helix/damned characters as you like (in human or alien form) in cute halloween costumes! imagine... ZEX dressed up as Ariel thelittlemermaid...

Day 26 - "I hadn't realized humans also had aquatic subcultures!" "Oh, well, uhm..."

[fangsandfeels]

>Ok but he doesn't. He thinks he does. He thinks he has Rook all pinned down. It's why he doesn't expect Rook to escape the Prison of Regret but Rook does. Solas is convinced that all of his manipulation to get Rook to drown in regret is enough to keep them trapped in that prison. In his pride, he doesn't expect Rook to escape. He once again doesn't expect Rook to see through his final betrayal about the veil. He also doesn't expect Rook to have enough cards by the end to stop him (which is conditional based on what you do in the game)

I don't think that Varric was thinking that far ahead when he was hiring Rook. Hiring someone who can make decisions during high-risk situations and face the outcome is logical - you know that this person has the resilience necessary and won't back away from a challenging task.

However, to hire them because they're unpredictable and can potentially outsmart or outwit Solas? I don't think they were aiming that high or planning that far ahead. They just needed reliable people to hopefully intercept Solas before he sets his plans in motion.

Also, it's not uncommon for Solas to underestimate people. He woke up and decided that the beings living after the Veil deserved to go extinct because he saw them as terminally disabled due to their disconnect from the Fade - and only later was he forced to acknowledge them as people, which didn't dissuade him from his goals, just made him feel bad about what he was going to do.

He had flawed opinions about dwarves, Qunari, humans - and he still has them, but recognizes the Inquisitor as "one of the good ones" on High Approval. So, his pride has always been his weakness and the reason for his hubris.

The Inquisitor would have gotten out of the Prison of Regret, just like many other determined and strong personalities Solas knew personally - because they made as many, if not even more hard decisions as Rook did, and they didn't let regret stop them.

>Cassandra also spent time in the Hunterhorn Mountains north of Orlais, where she worked to rebuild the Seekers. For a time, the new Seekers remained reclusive, showing no interest in worldly affairs and working to a purpose few outside their order could guess.

"For a time" doesn't necessarily mean "for entire 10 years". Also, Seekers seeming reclusive and working to a purpose few outside their order could guess makes sense in the context of the Trespasser - if Cassandra decided to use the Seekers to assist the Inquisitor with searching for Solas, she isn't going to tell everyone and their mother about it.

Nobody knows what exactly Seekers are working on because nobody needs to know. Cassandra did learn a lot, and she learned how to be subtle. At least, had she been included in the plot of the Veilguard, there wouldn't have been any disconnect between the epilogue and her actions.

As for her not showing up in Southern Thedas due to political reasons, it would have been understandable, especially if there was a particularly intense geopolitical situation (I'm elaborating on this in the final paragraphs below). However, since Solas could be anywhere because of the Eluvians, she still can help in the regions she can go to.

>With Corypheus gone there is a power vacuum. A cult of fanatics don't just say "oh well, guess we'll go home now." According to Tevinter Nights (which the franchise being a mixed-media franchise has it's own problems), while a lot distanced themselves from the Venatori there were still a good number of loyalists who remained active. This leads to Aelia trying to fill in that role. She does gain a decent amount of support for it. Even when she's "captured" she has enough sway to escape prison and cause problems. Why? Because the Venatori's ideology is appealing to a lot of people in Tevinter even if they don't directly associate with the cult. However, with her "failure" we have another power vacuum present - so why is it "lazy writing" to have the emergence of another powerful mage that speaks like Corypheus and offer power similarly to what he did fill that?

First of all, yes, telling the story of the game in bits of other media is a horrible practice. Not all people are going to read them - so, it should be explained in the game. Not just by codex entries, but by the characters. I had no clue who Aelia was and why she was bad news - and Neve's vague explanations didn't make it any clearer.

Second, without Corypheus the Venatori lost their competitive differentiation, so to speak- their ideology wasn't any different from the general ideology of Tevinter, just a tad more honest and aggressive.

Yes, Tevinter is obsessed with the idea of its supremacy. Yes, it believes it deserves to rule the world and is working towards this goal.

Venatori are just too loud and messy about it, especially without an ancient god/demigod backing them up. So, if the Venatori can't serve the Tevinter's cause meaningfully or at least fall in line, the Tevinter's power would have either dismantled them (either forcefully or by destroying them from inside), just so they would stop causing so much ruckus and getting unwanted attention.

Alternatively, Tevinter would have exploited their zeal and fanaticism (for instance, encouraging their unethical magic research or even agreeing to finance their search for magisters like Corypheus) because despite being absolutely despicable Tevinter isn't stupid and it knows an opportunity when it sees one.

What I mean to say is that the game tries to show that the Venatori are the main reason why Tevinter is corrupt and not getting any better instead of showcasing how deep the problem goes and how it's much more complicated than "defeating a group of bad guys with an evil name"

>The supremacist ideology of the Venatori embody everything you're saying here. The examples you're giving are all part of the supremacist mindset. Hedonistic and power-obsessed ruling class? Yep. "Slavery is bad" and "we should treat non-mages as people" Those two concepts are directly against the supremacists ideology. We also do get some notes from Dorian doing just that Veilguard. The Venatori isn't just one shade of ugly, it's the embodiment of everything wrong in Tevinter. It's the supremacist ideology given form.

Then why make such a focus on the Venatori if the entire Tevinter is built on the ideas of supremacy? Why?

By making the Venatori solo bad guys of Tevinter, the writers washed their hands off the entire corrupt system of Tevinter established in the previous games - see, guys, magisters aren't that bad and the entire Tevinter society doesn't need a wake-up call, it were the Venatori all along. The Venatori are bad, Tevinter nobles practice slavery just because they're misunderstood and confused, and I guess Danarius, Hadriana, and all the slavers from Tevinter you had met before were just the Venatori in trench coats.

The reason why Tevinter refused to acknowledge the Venatori in the Inquisition was because of their cultish obsession with Corypheus and unsubtle aggressiveness, which didn't look good for their long-term ambitions and plotting.

It would have made more sense if the Venatori either became an official ruling party by the events of Veilguard (no coup needed) because a) they didn't meet any resistance from Senate or the people of Tevinter, b) they brought proof of ancient magisters actually existing, which gave magisters a huge ego boost and added quasireligious delusions to the Tevinter's program, c) Par-Vollen officially started its invasion (like it was promised in the previous games) by attacking Antiva, giving Tevinter the opportunity to be more active and aggressive (infiltrating Antiva by offering it "protection" from the Qunari, reintegrating Kirkwall under the guise of defensive measures), preying on the neighbor's desperation and vulnerability to its influence.

But instead, they're shown as that malicious cult that is officially opposed and rejected as if Tevinter somehow had an issue with their philosophy.

>Varric is the one tasked with forming a small team. It's his responsibility to form that team and onboard people and vet them. With the way it's framed in "The Missing" Varric had full authority to bring on whoever. He didn't need approval. They kept in touch via Charter and sent correspondence to the Inquisitor but there wasn't any need for approval.

That's the problem, especially considering that the group was going against Solas with his immense abilities and his network of spies. Bringing on whoever is dangerous. There should be at least reporting to the Inquisitor about new recruits because otherwise Varric had been putting himself in a stab-me-in-the-back situation for Solas' spies all that time.

>Given Varric's line to Neve at the beginning, Varric is upfront with the information: "I also told you he was an ancient elven god." Whether the person believes them is dependent on the person. Rook has been tracking Solas with Varric for a year or so. I think by now they've witnessed enough to believe Varric's information.

Having the information doesn't mean being prepared to face Solas - a guy who has been manipulating and doing psychological warfare long before the the Veil. Also, Varric gives a very one-sided perspective on Solas because he only knows him as his former ally. The Inquisitor gets to know a lot more about Solas - after all, they're the one he rants to during his High Approval scene at the balcony, they're the one he subtly confirms his chosen course of action with, they're the one who sees him leave after the Orb is broken, and they're the one to meet him again in the Trespasser. Varric doesn't have this information, he didn't see that side of Solas, so whatever information he gives to Rook is incomplete. Rook doesn't know what they're dealing with. Moreover, Rook doesn't need to know that Solas is sentimental - Rook needs to know that Solas is very good at lying and deceiving people and that he is ruthless.

It all could have been addressed within prologue dialogues, but all we got was Rook asking "So, when we find this Solas...then what?" - which sounded as if Rook joined the group just yesterday. As a result, Rook sounds woefully unprepared.

>You think they wouldn't let that stop them. I think they're smart enough to not continue to play an active part if any information they get or send off is information Solas is spoon feeding them. If their continued involvement would cause more harm then good then yea, I think they would take a step back. I think they would hand off the reigns to others.

The problem is: who are these others? The entire "there is a real elven god walking around and he wants to destroy the Veil" story is very hard to explain to anyone who hadn't been around during the events of the Trespasser. Dismissive and derogatory attitude towards the elven culture aside, people don't respond to the "gods are among us" claims well without proof. It's not the Blight, which is super hard to ignore. It's something new - and it's so challenging to everyone's religious ideas that engaging new allies would have required some thoughtful wording and messaging.

There is a reason the guys who believed that Andraste reincarnated into a dragon were considered lunatics in the DA:O. To find others who can handle Solas (while knowing what he is and bracing themselves for a tough challenge) would take time and effort - meanwhile, both Leliana and Josephine have the burden of knowing the threat, knowing it's coming. I can't honestly imagine them sitting on their hands and hoping that the Inquisitor finds someone.

Now, there could have been a wonderful way to keep them busy and not as involved without making it look odd. For instance, if Par Vollen officially declared war and started invading Rivain and Antiva.

In that case, Josephine would be fully committed to doing whatever she can for her country, while Leliana's presence will be crucial for a) the morale and safety (if Divine), b) working against Ben-Hassrath and gathering intel (if Sister Nightingale).

>They do find new allies through their journey.

We don't see them in the game.

>They do find people who have ample knowledge of magic and ancient history.

We don't see them in the game.

>This idea also continues to play out in Veilguard. We find someone who has connections.

There is only Neve who is more of a investigative journalist/freedom fighter who never dealt with gods, ancient magic or anything like that. She herself admits that she is way over her head.

>We find someone who has ample knowledge of the fade since that's what Solas was directly trying to manipulate.

Aside from Emmrich, there is nobody else available - and Rook employs him after Varric is out of commission, leaving Rook desperate for help and clues because they have nothing. That's the issue: there are no tangible results after the 10 years of search. Rook starts from the ground zero - even though they aren't supposed to.

>I do not think it implicitly means what you've interpreted it to. I think that's how you interpreted that and I think that's a valid interpretation of it. Unfortunately that's not where they took it. That's also now how I interpreted it. I think a lot of the fandom interpreted this in different ways and that leads to disappointment if their interpretation wasn't correct. I think that's what's happening to you here. I don't think Bioware not catering to your interpretation means "they don't care." or anything like that. I think it's just that what you predicted or assumed based on the information provided ended up being incorrect. Other people predicted it correctly. If anything this just means that the marketing team could have done better at setting expectations and making sure everyone was on the same page.

From my point of view, there are things that are meant to be interpreted differently by players, and that are part of worldbuilding that isn't up for interpretation. For example, the Warden can be absolutely merciless and cruel in their decisions - and their motivations depend on the player's interpretation (trauma, anger due to oppression, refusal to be kind to the world that screwed them over, simple assholery). Similarly, the Warden can be heroic and selfless - why are they like that is still up to the player's interpretation. However, the end goal doesn't change: Kill the Archdemon. It doesn't matter how evil or how kind the Warden is as long as they get the job done. They become the Hero of Ferelden regardless.

All the threats created or hinted at were never up to interpretation. Blights are extremely dangerous. The Mage-Templar war caused massive destructive disruptions across the Andrastian regions, leaving mages and templars particularly vulnerable to exploitation. The death of the Divine led to hysteria and massive crisis of faith, while the Breach and the rise of Corypheus led to the emergence of the Venatori and red lyrium zombies. And the characters always responded accordingly to the threats -- either because of their rank and calling or due to them having exclusive understanding of the problem and needing to be in the loop.

The ending of Trespasser implied that Leliana and Cassandra were sticking around, working with Inquisitor and following the Inquisitor's decisions (and certainly taking note of how easily Solas infiltrated their networks). For them to just bow out without any explanation or reason isn't the problem of interpretation - the game didn't deliver its own buildup.

>But Bioware can't just make whatever they want. Bioware is owned by EA (not just published through them. OWNED by them). Bioware has to pay people to make the games. They need to get the funding and approval from EA to do so. This means that no matter how passionate the team is, there's only so much they can do and EA gets a huge say in what that is. EA who explicitly stated earlier AFTER BG3 released that they don't think single player story based games are worth investing in. WHICH IS INSANE TO ME. EA had them start developing the game one way. EA had them change development midway. EA had them remove all multiplayer pieces. EA cut funding to Bioware forcing them to make cuts in staff.

I admit, I don't know whether it was Bioware or EA who decided to completely dunk on the elves and their entire arc in the Veilguard, make a clown show out of Qunari, destroy Loghain as a character and erase nearly the entire Southern Thedas - and then naively hope for Dragon Age series to get the next game.

I don't know whether it was the Bioware's love ruined by the EA (which definitely played the part in it because I know how soulless and greedy management can fuck up the production) or Bioware writing it all out of spite and then releasing the artbook so people could pay $75 to see the content and the story that never happened and will never happen.

The outcome is the same: there is no reason for me to give them money. If Bioware can no longer make it's own creative choices, I will no longer buy its games because it means rewarding EA for its abhorrent practices.

There is no point in believing in Bioware anymore and support it because if this is where EA is taking it, I'd rather let my favorite series die and be put to rest than see them twisted into the parody of their former selves.

I understand your point, but IMHO, the problem of Veilguard isn't that it's not perfect - it has been actively hurt by the choices and management, which is why it's the pale shadow of what it was supposed to be.

Moreover, I don't even know what the writing team thinks because they either lump reasonable criticism together with elon musk fanboys whining, which is downright insulting or carefully pat themselves on the back for the job done. I understand that EA may have made them sign some kind of BS contract that doesn't allow them to speak ill of EA and its decisions for 100 years or so, but even refraining from comments would have sent the message.

Right now, both behaviors create an impression as it's the players fault for having expectations and wanting the proper final of their story, instead of just consuming the content.

And that's just sad.

Bioware writing team has a comfy, sheltered life and it shows

I'm sorry, but how come that the only people Inquisitor sent to look for Solas were Varric and Harding? How come that the only people recruited in 10 years of pursuing Solas were Neve and Rook? Do the writers understand that this is NOT how a serious effort looks like?

What about Leliana? Divine or not, she is still Sister Nightingale with an immense spywork. You'd think she won't mobilize everything she has to track Solas and his followers?

What about Josephine? What, she decided "nah, I'm done" and didn't use any of her diplomatic talents and connections to let the Inquisitor's agents have access, permissions or information they need?

What about Dorian? As a political figure, you'd think he will be the first Minrathous contact for the Inquisitor allies, the one arranging things and providing insights?

What about Cassandra and her Seekers? Isn't she interested in stopping another world-ending threat?

What about Sera and her sabotaging potential? If she organized the group of people for performing vigilante acts, people who are her eyes and ears, how come nobody from her group is helping with the effort?

I get it why Varric takes part in it - he knew Solas, the Inquisitor trusts him and his judgement, but for the game to imply that all the responsibility was lumped on Varric's shoulders is fucking disgraceful. I get it writers, Varric is popular character, and you would use him as bait to your heart's content, but the context you've created implies that Varric might have been the only one to take the threat seriously, while the Inquisitor and the rest were doing God knows what.

Varric should have been handing the Rook information on all the contacts they can recruit, all the useful agents, all the people to work with, not tell them to ask Neve because she might know someone because detective (Neve is a good character, but the fact that people who were supposed to spend 10 years chasing Solas look up to her for finding them contacts is appalling).

"Oh, but all these people were in the previous parts and we don't want to mention previous parts because muh new players" - well, you shot yourselves in the foot. Maybe, just maybe, you should have AT LEAST cared more about the choices made in DAI.

Congrats.

[magnusmodig]

ovo whispers menacingly abt his grandstanding .

[sanguith]

i'm glad i decided to try out a ketosis diet again (aka changing my metabolism to basically only use ketone bodies made from fatty acids for energy by reducing carb intake to max 20g/day) for a few weeks because it was a neat experiment but i'm also glad I decided to stop because now i get to enjoy life's greatest fucking simplest yet finest delicacy: mashed potatoes/sweet potatoes with melted butter and salt. i cannot understand how i could live without that. just. vegetables. keto has opened my eyes to new ways to cook foods and experiment with ingredients but i don't think i can live without carbs. i doubt that the majority of people could. also have you any idea how much good simple near-zero effort food there is out there like holy gosh darn in heaven. i don't have to spend hours cooking something to have a nice meal

[elytrafemme]

i remember when klavier split off and how, like, happy we all were. because before him it was just me, dahlia, and nightshade all fighting with each other. like not just mental fighting like physically fighting with each other, my first interaction with nightshade was on a discord call where i had to mute because we were co-hosting and throwing shit and threatening each other. and then klavier comes and he’s an instant ray of sunshine and at the very least, me and dahlia realize that we had a missing piece. and the three of us became so much closer, dahlia and klavier were a little queer for each other and klavier made all these friends and dahlia would front to keep me from having breakdowns, or front to buy clothes, or front to talk to my therapist about us. and klavier would come out and listen to his like 7 hour long playlist. and we were happy because i was like, well, they’re not gonna go. they can’t do that. 

and now they’re gone. dahlia last fronted for a life or death situation and then she left and i thought that would mean she’d be around more but, no, that was it. klavier always seems sad or upset with me whenever he fronts. rory and nightshade and cynthia and daisy and all the others i never knew the names of have never come back. the first alter, orchid, she’s never fronted either. not since it was too late. she might have fused with me but it’s hard to say because i haven’t been the same person for longer than two months in a very, very long time. 

like is that not all fucking crazy to you? it’s crazy to me. it’s crazy to think that now people are going to say they were never real at all and it’s like no you don’t get it. i hear different languages i don’t speak in my head. i get flashbacks to trauma that isn’t my own. i have headaches that feel like my brain is splitting open that have lasted 5 hours because of non stop switches. 

it’s not that they were never here. it’s the opposite. 

[noxtivagus]

i'm okay

[nozomijoestar]

i love Claudine but Maya Tendo is creeping up like she might snatch her off that pedestal for fav RevStar character, as is fitting lmao

[prokopetz]

On the one hand, it's true that the way Dungeons & Dragons defines terms like "sorcerer" and "warlock" and "wizard" is really only relevant to Dungeons & Dragons and its associated media – indeed, how these terms are used isn't even consistent between editions of D&D! – and trying to apply them in other contexts is rarely productive.

On the other hand, it's not true that these sorts of fine-grained taxonomies of types of magic are strictly a D&D-ism and never occur elsewhere. That folks make this argument is typically a symptom of being unfamiliar with Dungeons & Dragons' source material. D&D's main inspirations are American literary sword and sorcery fantasy spanning roughly the 1930s through the early 1980s, and fine-grained taxonomies of magic users absolutely do appear in these sources; they just aren't anything like as consistent as the folks who try to cram everything into the sorcerer/warlock/wizard model would prefer.

For example, in Lyndon Hardy's "Five Magics" series, the five types of magical practitioners are:

Alchemists: Drawing forth the hidden virtues of common materials to craft magic potions; limited by the fact that the outcomes of their formulas are partially random.

Magicians: Crafting enchanted items through complex manufacturing procedures; limited by the fact that each step in the procedure must be performed perfectly with no margin for error.

Sorcerers: Speaking verbal formulas to basically hack other people's minds, permitting illusion-craft and mind control; limited by the fact that the exercise of their art eventually kills them.

Thaumaturges: Shaping matter by manipulating miniature models; limited by the need to draw on outside sources like fires or flywheels to make up the resulting kinetic energy deficit.

Wizards: Summoning and binding demons from other dimensions; limited by the fact that the binding ritual exposes them to mental domination by the summoned demon if their will is weak.

"Warlock", meanwhile, isn't a type of practitioner, but does appear as pejorative term for a wizard who's lost a contest of wills with one of their own summoned demons.

Conversely, Lawrence Watt-Evans' "Legends of Ethshar" series includes such types of magic-users as:

Sorcerers: Channelling power through metal talismans to produce fixed effects; in the time of the novels, talisman-craft is largely a lost art, and most sorcerers use found or inherited talismans.

Theurges: Summoning gods; the setting's gods have no interest in human worship, but are bound not to interfere in the mortal world unless summoned, and are thus amenable to cutting deals.

Warlocks: Wielding X-Men style psychokinesis by virtue of their attunement to the telepathic whispers emanating from the wreckage of a crashed alien starship. (They're the edgy ones!)

Witches: Producing improvisational effects mostly related to healing, telepathy, precognition, and minor telekinesis by drawing on their own internal energy.

Wizards: Drawing down the infinite power of Chaos and shaping it with complex rituals. Basically D&D wizards, albeit with a much greater propensity for exploding.

You'll note that both taxonomies include something called a "sorcerer", something called a "warlock", and something called a "wizard", but what those terms mean in their respective contexts agrees neither with the Dungeons & Dragons definitions, nor with each other.

(Admittedly, these examples are from the 1980s, and are thus not free of D&D's influence; I picked them because they both happened to use all three of the terms in question in ways that are at odds with how D&D uses them. You can find similar taxonomies of magic use in earlier works, but I would have had to use many more examples to offer multiple competing definitions of each of "sorcerer", "warlock" and "wizard", and this post is already long enough!)

So basically what I'm saying is giving people a hard time about using these terms "wrong" – particularly if your objection is that they're not using them in a way that's congruent with however D&D's flavour of the week uses them – makes you a dick, but simply having this sort of taxonomy has a rich history within the genre. Wizard phylogeny is a time-honoured tradition!

[ms-dead-inside]

Okay, but hear me out:

Murder baby Damian, but for whatever reason, his first attempt at Tim's life is put on pause, so they never have that interaction. Instead, before Damian can come up with a new plan, Tim (who's kinda excited he now isn't the baby of the family) offers to train him in detective work for when Damian finally gets the mantle of 'Robin' as a way to bond with him.

"Why train your enemy, Drake?"

"We're brothers, not enemies. Besides, Robin has always been a mantle to pass down. I'm certainly not going to keep it in my twenties or thirties. And other than Bruce, I'm the best detective in the family."

"Very well, Drake, I shall accept your tutelage for the time being."

Damian accepts, of course. Not only can he study Drake for his weaknesses, he will also improve his own skill set. It's worth the wait for Robin. By the time Damian's done, there will be no doubt that he is the superior bat.

Unfortunately, he actually grows fond of Timothy. While he will inevitably get close with Richard, just like in canon, Timothy is a breath of fresh air for when Richard is being too overbearing, especially when it comes to things like 'socializing,' and 'making friends.'

When his father dies, and Timothy declared him actually lost to time, Richard doesn't believe him, can't believe him, because the hope is too painful. Timothy still gives Damian Robin, because, "I'm barely holding on as Batman as it is. I can't handle Robin being gone for potentially months at a time, halfway around the world."

During his partnership with Richard, truly becoming his brother-son, Richard introduces the ideas of pets to him. Damian loves animals, and having and taking care of a creature that could potentially survive on its own, but will have a much better quality of life under his care, speaks to him. He has Alfred and Titus and about half a dozen other stray animals that usually stay for about a week while he nurses them to health at any given moment, but he feels like he should officially have another pet.

Que the whole thing with his grandfather, and Timothy getting kicked out of the top of a skyscraper. He comes home with proof, and the Justice League brings his father home. And as Dick basically refuses to let anyone leave the mansion for the foreseeable future, Damian realizes several facts:

1.) Timothy is a human, and humans are animals.

2.) While Timothy has somehow survived until now, he wouldn't recognize self-care if it slapped him in the face.

3.) Timothy's quality of life will improve if someone is taking care of him because he cannot be trusted to do it for himself. (Is it a coincidence that he loses organs when he is away from the family? Damian thinks not.)

4.) Damian has gotten good at taking care of animals.

Ergo, Timothy is now Damian's pet. Tim doesn't know what to do and simply humors him. Besides, it's nice when someone actually bothers to give him a plate of foods that he likes when he gets hyper focused on work and forgets to eat. That, and while he is exasperated every time Damian tranqs him, those are still the best sleeps of his life.

Jason finds it hilarious. Damian doesn't understand Richard or his father's reactions.

"Damian, Tim can take care of himself."

"Barely. Father, now that I am in charge of his sleep schedule, there aren't as many dark circles under his eyes. Even Alfred has commented that Timothy consumes less caffeine."

"Damian, he can't be your pet."

"Why not?"

"Tim's your brother; he's family."

"So are you saying that Alfred and Titus aren't family?"

[xshadowdelta]

FORMER MANAGER

PART 3: Crazy.

Kim Chaewon x Male Reader (3.7k length)

The rays of sunlight streaming through the window and illuminating the bedroom made you wake up. You felt sleepy and tired, when you sat up in bed you noticed how all your muscles were feeling pain from the big effort that your whole body had made the night before.

A thin sheet covered the lower half of your body. From the waist up, you were completely naked, you could see some scratches and slight wounds on your arms. You assumed that your back was in worse condition, but you had no way to confirm it.

You got out of bed wearing some simple boxers, and as soon as you stood up, your legs wobbled. God, if only the night had ended in the shower, but no, Eunbi was not satisfied with just that, you both had to take the party back to bed, making that shower in something totally useless.

The owner of your thoughts burst into the room while you picked up your clothes scattered on the bedroom floor. Smiling, happy and unlike you without traces of consequences of the turbulent night experienced. Moving from side to side, in and out of the bathroom getting ready and getting dressed, making you seriously doubt how bad your physical condition was at that moment.

She came up to you, while you were still putting on your shoes to finish dressing, and placed a soft kiss on your forehead that made you raise your head and face her.

“Did you sleep well?”

“As much as I could.” You replied, standing next to her.

“It's not that I want to kick you out or anything, but I have work, you know?”

“Yeah of course, I understand, do you want me to take you?” She shook her head.

“My manager will come pick me up right away, don’t worry.” She approached you with a mischievous smile.

"And relax, I don't do anything with him that I did with you." She whispered in your ear, making you blush.

“Listen to me, last night was…”

“It was fantastic, but it was wrong and should not be repeated?” That made you frown. “I assumed you would say it, you told that to Yuri too, right?”

“Yes, but…”

“Now you listen to me.” She interrupted you again. “There was nothing wrong with what we did. I wanted it, you wanted it and we both enjoyed it, no problem except that you're too cute to be around girls like us.”

You sighed tiredly, you knew that when she got into that mood there was no person or argument in the world that would make her change her mind, stubbornness typical of a leader.

"Besides if it really pricks your conscience and you think it was that bad..." She took a few steps in your direction. “Next time, I'm sure you'll resist…” She whispered, touching your lips in a sensual kiss.

And you were weak, extremely weak and helpful, very helpful, you were always there to satisfy whatever your girls needed, and it doesn't seem like you were going to make exceptions now.

“Can I at least trust that no one will know about this?”

“It is my career as an idol that is at stake, of course no one will know… no one from the outside at least…”

"What do you mean?"

“Well…” She whirled around playfully. “Girls may already know.”

“NOONA!”

This situation only became more and more complicated, you had to stop all of this immediately because it was no longer just your job that was at stake, now the girls' professional careers as well.

Your fear was no longer being discovered by someone from the company but by someone from the press. You hadn't been in the industry for many years, but you knew perfectly how it worked. Scandals like this one have destroyed other idols in the past.

On the other hand, idols relationships were practically an open secret, they were still human, and despite having to act with special caution regarding some specific topics, they should not deprive themselves about anything.

The sound of your phone chased away all those thoughts, the light was constantly flashing, a sign that you had a new message. Strange since due to the short time you had been in the country, very few people had your contact beyond the staff of your company, and that was your day off.

You unlocked it and were surprised to read, 'Kim Chaewon sent you a new message.' True, the night before you had exchanged contacts with the girls.

'Good morning oppa! I remembered that today you had the day off, I need your help with some things, can you help me please? I'll wait for you.’

Along with the message, she shared a location, which after opening with the map application on your phone, you discovered that it was the Hybe building. You felt a sudden pressure. It is really okay for you to go there?

However, you didn't take long to respond to her message, 'On my way.' You were too helpful when it came to these girls.

“And this is where all the magic happens.” You laughed when you heard that phrase when she opened the door to the LE SSERAFIM practice room, after giving you a short tour of the building.

“It's like three times bigger than it was years ago.” You talked to yourself by observing everything around you.

“What can I say? I'm a superstar." She said with superiority, shaking the dust off her shoulders.

“Whatever you say, Miss Superstar.” You scoffed. “Well, what was that I had to help you with?”

"Personal opinion." She said cheerfully clasping her hands together. You stared at her, somewhat confused.

“In a couple of days, we will release a new comeback, everything is ready: the album, photobook, b-sides, performances, and stages. But I would like to have an honest opinion from someone outside before I start promoting.” She explained sitting on the couch.

"I see…"

She pointed, lightly tapping with her hand, to the spot on the sofa that was free next to her. You sat in there, and she lent you her mobile phone, where she played the unreleased MV of her new song. You watched it, paying attention to all the possible details, although somewhat overwhelmed, because Chaewon practically above you, inches away, kept an eye on your reactions.

“And?” She asked somewhat anxiously once you were done with the visualization.

“It's...different, but it definitely has its addictive point.

"What about me?"

"You? Impeccable as always, Chaewon.”

“Oppa please, you must be more critical, otherwise I won't be able to improve.” She said this, throwing a small tantrum.

“Chaewon, I don't understand anything about music production, dance, or anything like that. I can only speak to you as a fan, and I really like what I've seen here.”

You watched her puff out her cheeks adorably, snatching the electronic device from your hands with a huff of annoyance as she was typing something.

"What are you doing?" You asked, but the only answer you got was how she stacked the phone screen over your face. You pulled back a bit, so your eyes could focus on what she was showing you now.

“Now, look at this.” She said it, still with an annoyed tone in her voice.

You picked up the phone again, it was a fancam, focused solely on Chaewon, from one of the songs she had previously promoted. You pressed the play button and started watching the video.

Right away, you recognized the song, it was good, and you liked it enough to have had it on loop at the moment it came out. But it had one small bad part, the choreography. Seeing in certain seconds how Chaewon shook her butt to the rhythm of the music while she looked intensely at you was definitely uncomfortable.

You looked away just as that part came, but you instantly felt a stab of pain in your arm. You looked over at Chaewon, who was pinching the skin on your arm.

“Don't stop looking.” She recriminated. You knew what her temper was like and that it was best to obey her, so your eyes returned to the screen.

“What do you think?” Her voice now left her mouth in a whisper, moving closer to you. You didn't answer, you were trying to find the right answer.

“My ass is also addictive, right?” She whispered next to your ear, her hand was starting to rub over your pants, right in your crotch area.

"Chaewon, what are you doing?" You asked, tense, without looking away from the video, totally hypnotized.

“I worked really hard for that performance…” Her hand slipped directly under your pants, freeing your slightly hard penis.

“C-C-Chaewon…”

"Shhh, just enjoy my fancam, oppa." She placed a kiss on your cheek before starting to massage your cock.

You let out a moan, noticing how your cock throbbed and grew bigger and bigger under her small hand until it reached its maximum size, making her exclaim a moan of surprise.

“Oppa, you are huge!” She commented, biting your earlobe as her hand ran up and down the length of your cock at a sensual but damn slow pace.

"Fuck Chaewon, it's your ass that's huge." The girl smiled as she saw how you couldn't take your eyes off the video.

She suddenly increased the pace of masturbation when the video ended, and she reached out her hand to press the play button again, but you were faster and went ahead of her, causing her to giggle.

"Impatient."

“Capricious.” Both of you were looking each other, lost into those eyes that seemed to speak to you, and without a single word you understood each other, joining your lips in a rough and wild kiss.

Her other hand moved to your balls, playing with them, which seemed to have regained their full capacity after the long night that Eunbi had subjected them to. Even you yourself were surprised by it.

You observed the expression on her face once you separated from her, she still had her eyes closed and a satisfied smile on her lips. Now, with both hands around your huge shaft, stroking it non-stop, trying to squeeze you out.

She got on her knees on her spot on the couch, crouching over your lap, bringing her face closer to your penis to give your tip a shy lick. Another moan left your mouth, which was joined by a set of them when her hand went up in an agonizing manner by the length of your cock, almost closing over your tip, that was already dripping with pre-seminal fluid, which was licked off by Chaewon's tongue.

You held the Smartphone with one hand to direct your free hand to her ass, which stood out as she was in that position. Massaging for a while and giving her a hard spank that echoed throughout the practice room.

As a result, Chaewon's movements became more frantic, with her hands completely wrapping the length of your cock, rubbing as much as she could while your moans accompanied the rhythm.

The video ended again and stayed with the image of the thumbnail with Chaewon's face as a screensaver. She moved your hand that was holding the device and brought it over your cock, giving you a few harder strokes, making you cum and letting out a stream of cum on her face projected on the screen.

“Fuck Chaewon…that was intense.” You said, breathing heavily with your eyes closed, catching your breath.

You felt her move on the sofa, snatching the phone, now sticky and slippery, from your hands. Given that, you opened your eyes to see her straddling over your lap. Her eyes were radiating lust and desire.

She showed you again how her face, in the image of that fancam, was completely covered by your cum, and she gave the screen of her Smartphone a sensual and slow lick, cleaning it and absorbing every drop of cum on it.

Witnessing that scene was super hot, like the atmosphere that had become around you in that room. Chaewon grabbed her small bag on the couch, took something out of it, and threw it away along with the cell phone. She showed you the condom she had taken out of the bag, and your heart pounded.

“Are we safe here?” You asked, realizing the place you were in. Damn, you were going to fuck Chaewon in the fucking Hybe building, you had lost your mind.

“I got the practice room for myself today, there are no security cameras here.” She whispered against your lips.

“What about that one?” You pointed your head to the area where there was a pile of technological elements, among which was a small recording camera with a tripod that they used to record themselves and later analyze their failures and things to improve.

“Do you want us to record what is about to happen?” And as much as you would have liked to, plus the curiosity that filming that would give you, you shook your head.

"Maybe next time."

Next time? Of course, because you were already sure there would be a next time. You didn't know if it would be with Chaewon, Eunbi, Yuri or who else would join this game. Because you had to be stupid not to realize that this was more than planned by all of them, it seemed like some kind of internal competition, and you were the prize.

Even trying to deny yourself with all your might, the part of your brain that was dedicated to controlling your impulses and emotions had completely lost control in a matter of less than one fucking day. Now your devilish part controls you, behaving like an animal in heat. Regardless of the consequences, the only thing that ran through your mind was giving Chaewon the best orgasm of her life.

The girl with short hair opened the condom wrapper and placed it around your erect cock, then she stood on the couch to pull down her leggings, exposing that butt that you had admired so much minutes ago.

Your hands quickly traveled to her buttocks, massaging and worshiping them. She was still standing on the couch, sighing at your touch, while she took off her shirt, and you took the opportunity to fill her belly with kisses.

She grabbed your face with both hands, forcing you to look up and meet her gaze. You brought your hands to her hips, and she began to descend slightly, taking your cock in her hand and aligning it with the entrance to her pussy.

You stared at each other without blinking during those seconds that seemed eternal. The tip of your cock collided with her pussy, beginning to penetrate it, drawing a moan from Chaewon.

You caressed her hips, her arms, and her back as she stayed in that position. You moved closer to kiss her lips, softly and lovingly.

"Ready?"

She nodded, dropping onto your lap, making her pussy take in the entirety of your cock in one fell swoop. She screamed, leaning against your chest, and you completely surrounded her with your arms, hugging her.

When she got used to having your huge penis inside her, she separated herself a few centimeters, starting to move, acquiring a slow rhythm at first but accelerating as time went by.

Chaewon was now jumping on your cock with strength and energy. You could feel your cock reaching her stomach on every decent, and you helped her go even deeper.

Her moans transformed into screams of passion. She was being filled by you with every thrust, and it seemed to not be enough for her, she was totally intoxicated by lust and was letting herself be carried away by pleasure.

The sounds of your bodies colliding together, along with your moans, destroyed any kind of silence there might be in that room. Soon, the festival of lascivious sounds would be joined by the palm of your hand hitting her buttocks and her desperate screams begging for more.

“Please, oppa, make my ass hurt, it deserves to receive a beating.” At this point, her butt was already red, but you just wanted to fulfill her wish, and you spanked her harder.

"You're still my bratty girl, I can't deny you anything." You said, intertwining the fingers of your hands with hers.

She gritted her teeth tightly, once again burying your cock directly into her womb, a trail of saliva beginning to leak from her mouth.

"Oppa, your bratty girl wants to cum!" She screamed, raising her hips in a desperate attempt to reach orgasm.

“Hold on just a little longer, Chaewon, do it for oppa.” You moaned, grabbing her hips and moving yours at a strong pace, pounding her pussy like an animal, causing her eyes to turn white.

“OH MY GOD, OPPA!” Her entire body trembled because of your thrusts.

The rudeness that this whole situation was taking was slipping out of your hands, the sweet and pretty Kim Chaewon that you once knew was now just a piece of meat that you were being used for your own enjoyment.

You hugged her again, pressing her against your body, hers continued to rise and fall constantly, touching your lips every moment. Tears and sobs began to come out of the girl's eyes and mouth. You kissed her sweetly and she reciprocated immediately.

“You did very well Chaewon, let's get you that orgasm…” You said, thrusting into her again with all your strength.

Her body reacted to your moves and fought against yours, it practically seemed like a fight in which neither of you wanted to give in and the first to cum would lose.

A naughty finger traveled to her ass, entering into her small hole making her open her mouth muffling a squeal, now that finger was going in and out of her ass at the same time that your cock was doing the same movement in her pussy.

Chaewon gripped the sofa, placing her hands on either side of your head, her body was already moving by inertia and instinct, her brain had long been overwhelmed by excess pleasure.

She lay on your chest crying, yelling a few insults at you and giving in to the pleasure, curving her back and letting out a large stream of fluids from her pussy.

Her body trembled against yours, which is why you hugged her, caressing her hair, trying to calm her down. Even without being fully recovered, she looked for your member with her hands, found it and took off the condom to masturbate you again.

You lifted her chin with your hand, kissing her again while her grip grew stronger as she regained energy, stroking your cock more and more roughly until you too succumbed and let out another large load of semen that spread across the sofa and part of the floor of the practice room that Chaewon did not hesitate to lick and clean immediately.

Once she left everything clean and swallowed your cum, she climbed back onto your lap, resting there for a while.

“I love being oppa's spoiled girl.” She closed her eyes, guiding one of your hands to her cheek so you could caress it.

“You all girls are.” You said, causing her to open her eyes and look at you angrily.

"I do more!" That made you laugh.

“Hmm, I think I had Wonyoung more spoiled than I had you.” She sat up angrily, making you laugh harder, you kissed her again, trying to calm her down.

“I'm the best for oppa.” She said between kisses surrounding your neck.

Suddenly, knocks were heard at the door of the room, making both of you jump in your seats in surprise and fear.

“Chaewon unnie!” was heard from the other side of the door. Chaewon jumped off the couch, recognizing that voice.

“Kazuha?”

Both of you dressed as quickly as you could, fixing your entire appearance, trying to hide what had happened there. You hid the used condom, and Chaewon sprayed some fragrance around the room to camouflage the smell of sex.

Still fixing her hair, Chaewon opened the door, seeing her member.

“What are you doing here, Zuha? Did something happen?” The leader asked with some concern.

“Our dance trainer said she wanted to discuss something last minute with you, before starting promotions for the new album, so she asked me to come to notify you.” Chaewon sighed in relief for a moment until she remembered that you were still there with her.

"Unnie, who is he?" The japanese girl asked, entering the room and looking at you.

"Oh! He's an old friend of mine, we were just having a little chat." She lied, trying to sound as real as possible.

“But I guess we should continue this talk in another time, it looks like you have a job to do now.” You commented without ignoring the fact that Kazuha still didn't look away from you.

“I guess so.” Chaewon sighed tiredly. “Okay oppa, we'll be in touch, okay? See you." She said goodbye with her hand, leaving the room.

You saw how she disappeared, and you thought it was time to leave too, you bowed to Kazuha and she responded in the same way, and you headed for the exit.

“Can I ask you something?” Kazuha's voice stopped you instantly.

"Sure, what do you need?" You asked, turning to look at her.

“Old friend means you are Chaewon unnie’s boyfriend?” You blushed at that question because of how no hesitation she had in asking that.

“No, no, we're just friends, for real.” A cute smile forms on her face.

"Then…"

Your eyes almost popped out of their sockets, and your face was totally flushed at her request. Had you heard wrong?

“Excuse me, but can you repeat that?”

The girl also blushed and looked embarrassed at the practice room floor before whispering again.

“Can you have sex with me the same way you did with Chaewon unnie?”